1。No 78 Excellent! V
11:30，Leipzig Kunsthalle der Sparkasse, Otto-Schill-Str. 4a
学生票原价11Euro，自由入座
Johann Sebastian Bach: Contrapunctus 1, aus: Die Kunst der Fuge, BWV 1080 •
Johann Sebastian Bach: Contrapunctus 4 •
Johann Sebastian Bach: Contrapunctus 5, aus: Die Kunst der Fuge, BWV 1080 •
Joseph Haydn: Quartett A-Dur, op. 20 Nr. 6, Hob. III: 36 •
Johann Sebastian Bach: Contrapunctus 6 a 4 in Stylo Francese •
Johann Sebastian Bach: Contrapunctus 7 a 4 per Augmentationem et Diminutionem •
Johann Sebastian Bach: Contrapunctus 8 a 3, aus: Die Kunst der Fuge, BWV 1080 •
Wolfgang Amadeus Mozart: Quartett d-Moll, KV 173 •
Johann Sebastian Bach: Contrapunctus 9 a 4 alla Duodecima, aus: Die Kunst der Fuge, BWV 1080
Concert with Prize-winners of the ARD Music Competitions
Apollon Musagète Quartett: Pawel Zalejski (violin), Bartosz Zachlod (violin), Piotr Szumiel (viola), Piotr Skweres (violoncello)
2。No 84 OrgelPlus
17:00, Nikolaiskirche
学生票原价7Euro，自由入座
Johann Sebastian Bach: Fantasie G-Dur, BWV 572 •
Johann Sebastian Bach: Sonate G-Dur, BWV 1021 •
Johann Sebastian Bach: Passacaglia c-Moll, BWV 582 •
Johann Sebastian Bach: Partita d-Moll, BWV 1004
Tamamo Saito (violin), Nikolaikantor Jürgen Wolf (organ)
A Nikolaikirche event
3。No 85 Requiem
20:00, Thomaskirche
学生票原价17Euro，座位Längsschiff links Reihe 7 Platz 95
Johann Sebastian Bach: Ihr werdet weinen und heulen, BWV 103 •
Felix Mendelssohn Bartholdy: Wie der Hirsch schreit nach frischem Wasser, op. 42 •
Max Reger: Requiem, op. 145a • Max Reger: Dies irae •
Johann Sebastian Bach: Es ist genung, aus: O Ewigkeit, du Donnerwort, BWV 60
After a difficult period in his life, Max Reger planned to write a Latin requiem in March 1914. Shaken by the horrific images of the front, he started composing the gigantic work shortly after the outbreak of war. But he laid his pen aside as he was writing the Dies irae – perhaps sensing that the gigantic nature of the work would stand in the way of performance in the foreseeable future. Another explanation could be that his friend, organist of St. Thomas’ Karl Straube, advised him against completing it. Only in 1938, shortly before the outbreak of the Second World War, was the unfinished requiem mass performed, conducted by Reger’s pupil, Max Stein. Our performance closes with Bach’s death chorale »Es ist genung; Herr, wenn es dir gefällt«. (AG)
Ute Selbig (soprano), Elisabeth Wilke (alto), Andreas Post (tenor), Stephan Heinemann (bass), Monteverdi-Chor Hamburg, Staatskapelle Halle, Gothart Stier (direction)
Concert introduction: 7.00 pm, Zeitgeschichtliches Forum, Marion Söhnel (with English translation)
A concert on the occasion of the 600-year anniversary of the University Leipzig
